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Tantra Introduction
Shiva and Shakti
Guna
The Worlds (Loka)
Inhabitants of the Worlds
Varna
Ashrama
Macrocosm and Microcosm
The Ages
The Scriptures of the Ages
The Human Body
The Five Sheaths
Anna-Maya Kosha
Prana-Maya Kosha
Mano-maya,Ananda-maya Kosha
Nadi
Chakra
Muladhara
Svadhisthana
Mani-Pura
Anahata
Vishuddha
Ajna
Sahasrara Padma
The Three Temperaments
Guru and Shishya
Diksha
Abhisheka
Sadhana
Worship Generally
Forms of Achara
Mantra
The Gayatri Mantra
Yantra
Mudra
Sandhya
Puja
Yajna
Vrata
Tapas
Japa
Sangskara
Purashcharana
Bhuta-shuddhi
Nyasa
Panchatattva
Chakrapuja
Yoga
Shodhana: Shatkarmma
Dridhata: Asana
Sthirata: Mudra
Dhairya: Pratyahara
Laghava: Pranayama
Pratyaksha: Dhyana
Nirliptatva: Samadhi
Forms Of Samadhi Yoga
Shatchakra-bheda
Sin and Virtue
Karmma
Four Aims Of Being
Dharmma
Kama
Artha
Moksha
Siddhi

Purashcharana

This form of sadhana consists in the repetition (after certain preparations and under certain conditions) of a mantra a large number of times. The ritual deals with the time and place of performance, the measurements and decoration of the mandapa, or pandal, and of the altar and similar matters. There are certain rules as to food both prior to, and during, its performance. The sadhaka should eat havishyanna, or alternately boiled milk (kshira), fruits, or Indian vegetables, or anything obtained by begging, and avoid all food calculated to influence the passions. Certain conditions and practices are enjoined for the destruction of sin, such as continence, bathing, japa (q.v.) of the Savitri-mantra 5,008, 3,008, or 1,008 times, the entertainment of Brahmamas, and so forth. Three days before puja there is worship of Ganesha and Kshetra-pala, Lord of the Place. Pancha-gavya, or the five products of the cow, are eaten. The Sun, Moon, and Devas are invoked. Then follows the sangkalpa. The ghata, or kalasa (jar), is then placed into which the Devi is to be invoked. A mandala, or figure of a particular design, is marked on the ground, and on it the ghata is placed. Then the five or nine gems are placed on the kalasa, which is painted with red and covered with leaves. The ritual then prescribes for the tying of the crown lock (shikha), the posture (asana) of the sadhaka; japa (q.v.) nyasa (q.v.), and the mantra ritual or process. There is meditation, as directed. Kulluka is said, and the mantra "awakened" (mantra-chaitanya), and recited the number of times for which the vow has been taken.

 

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