According
to the "the rules," women sit by the phone waiting
for men to call. Each woman then chooses a suitor to
take her out on a date, or, eventually, to marry.
I.e., the conventional wisdom is that "men court,
then women choose."
Reality is the opposite. Female monkeys initiate
more than 80% of matings. In singles bars
and at parties, women initiate two-thirds of
flirting interactions.
Women who follow "the rules" and passively wait
get the 20% of men that other women don't want.
I.e., they find that "the good ones are taken" by
women who take an active role in courtship.
Instead, a woman should choose the man she wants
to court her -"women choose, then men court." E.g.,
the French romantic comedy Amélie charmed audiences
with a young woman pursuing a young man-by making
him pursue her.
Babysitting Lessons
I was asked to babysit a five-year-old girl and a
three-year-old boy. The children didn't know me. We
went out in their backyard. The girl threw dirty
water from their wading pool on me. I told her to
stop. She threw mud on me.
I got the message. I went to the far corner of
the backyard and played alone in the sandbox. Within
a minute the boy came over. We played with the
trucks, loading and unloading sand and pebbles,
making truck sounds, but not talking. After ten
minutes the girl came over. She didn't want to play
with trucks, but insisted that we play with her. We
invented a game to play in the front yard, and
played happily all afternoon.
Adult women act like the five-year-old girl. If
an unfamiliar man approaches a woman, her reaction
is, "I don't know you. Go away. Leave me alone."
For example, a woman came to our running club. I
asked her questions on the run out-"Where are you
from" "Where do you work," etc. Her answers were
monosyllabic. On the run back a woman asked her the
same questions-and she happily chatted away,
answering in long paragraphs.
Some women are friendly, easily talk to men, and
right away make you feel that they genuinely like
you. These women are all married, and always to
great husbands. This suggests what the most
important relationship skills are for women!
To get a shy woman to "open up" and become
friendly, do something fun with other people. She'll
watch at first, and then want to join in. E.g., on
the run, if I'd happily chatted with a group of men
and women (instead of trying to talk to her alone),
she would've wanted to join our discussion.
If you play softball, don't interrupt a group of
women talking, to ask one woman if she wants to
practice catching pop-ups. Instead, hit pop-ups for
another man to catch. Laugh and make it look fun.
Sooner or later, you'll notice a woman quietly
watching you, waiting for an invitation. Invite her
to join in.
Flirt with Everyone
Flirting is making a person feel good. Make eye
contact, smile, compliment, and then make the person
feel special.
Don't limit your flirting to attractive, single
persons of the opposite sex. Make everyone you meet
feel good about themselves. Compliment old men,
women pushing strollers in the park, the person
behind you in the supermarket line, and your
in-laws.
When you meet an attractive, single person of the
opposite sex, you'll feel more confident. The rest
of the time you'll make friends.
Don't wait until you're in love to start
loving in your life. Don't wait until you're in
love to practice being attentive, to practice
giving.
— Barbara De Angelis, Coming Alive With
Love (1985)
Begin with waiters and waitresses. If you say the
wrong thing, leave a big tip.
Go out with a same-sex friend (e.g., a man goes
out with a male friend). This makes it easier to
flirt with two persons of the opposite sex (e.g.,
two women). After an interaction, discuss with your
friend what you did right and wrong.
Peek-a-Boo
At a restaurant, catch the eye of a toddler. Then
hide behind your menu. The kid will grin and
excitedly play peek-a-boo with you.
Human brains are wired to play peek-a-boo. We
love attention. Peek-a-boo is how we attract another
person's attention.
Spy thrillers are full of peek-a-boo games. We
love it when a mild-mannered character removes his
disguise and reveals himself as James Bond.
Play peek-a-boo to meet singles. Make eye contact
from a distance, and then look away. Hide behind
something or someone. Repeat the eye
contact-then-hide cycle for several minutes.
Women play peek-a-boo more subtly than men. If
you're a man, don't get discouraged if your object
of desire seems to have only the slightest interest
in you. If you're a woman, don't be too subtle.
E.g., making eye contact via your compact's mirror
won't register with most guys.
If you see two women or a group of women, or two
men or a group of men, you can't approach and start
talking to one individual. Instead, write a note on
your business card. Tip your server $20 to give your
card to your object of desire. Your note should tell
him or her to meet you in another room, out of sight
of his or her companions, in five minutes.
"Speed Dating"
Nobody understands a damn word Deepak Chopra
says, but it's who he's being that's just kind
of mesmerizing.
— Joel Roberts, KABC talk show host
7% of what an audience remembers about a talk
show guest is his or her words. 93% of what they
remember is what lawyers call demeanor.
Psychologists call it affect. Actors call it
attitude.
A Los Angeles group has made dating like talk
shows. In "speed dating," participants meet for
seven minutes. Then a bell rings, and they move to
the next numbered table. In ninety minutes, each
participant gets seven speed dates. About 50% of
participants get a real date afterwards.
"Speed dating" may sound harsh, but it's what
everyone does. Communicating "the real you" in seven
minutes or less isn't possible via verbal
communication alone. Communicate via your clothes,
body language, eyes, and voice.
Compliments
Giving compliments costs you nothing, and wins
friends.
Compliment the person's smile. Then smile. This
will make the person smile. You'll look more
attractive when you smile. Smiling will make the
other person feel happy.
Compliment the person's eyes. This reminds you to
make eye contact. Look into the person's eyes long
enough to mentally note his or her eye color.
Compliment the person's name. This help you
remember the person's name. Associate the person's
name with an interesting fact, e.g., ask how his or
her name is spelled (e.g., Rebecca vs. Rebekah), the
ethnic origin, or the meaning of the name. Ask if
the person is related to a celebrity with the same
last name. Read a history of your area to learn the
names of local heroes and historical figures.
Compare the person to a celebrity. But make sure
the celebrity is physically attractive, and the
right age. Don't tell a woman that she reminds you
of Ally McBeal, or tell a man under sixty that he
reminds you of Sean Connery.
Avoid compliments about things you're competing
on. Avoid compliments that put yourself down. E.g.,
you lose a tennis game. Don't say, "Your serve is
strong! I could never serve as well as you." This
puts the person in a difficult position. If he
insists that your serve is good, he's impolitely
rejecting your compliment. If he accepts your
compliment, he's impolitely agreeing that you'll
never serve well.
The best, most difficult compliment is to
compliment what embarrasses the person. E.g., if a
well-dressed woman is driving a beat-up old car, say
that she looks like a woman that blues musicians
write songs about. Then improvise a blues song about
her beautiful looks and her clunker car. The person
feels embarrassment when you point out a fault. Then
he or she feels good when you say that the fault is
attractive.
Lastly, listen for extraordinary things people
have done, then reflect this back to them. This is a
listening skill, not a talking skill. Everyone
thinks that their lives are ordinary. E.g., a man
who flies jet fighters thinks of himself as an
ordinary fighter pilot.
Transition Points
People are open to new relationships when they're
at transition points. Transition points include:
- Starting college.
- Moving to a new city.
- Starting a new job.
- Moving to a new apartment.
- Buying a new car.
Getting out of prison is a transition point. I
live across the street from a corrections halfway
house, full of beautiful young felonious women. I've
resisted the temptation to go over and casually ask,
"So, when do you get out?"
Transition points make people less critical of
each other. E.g., a woman has graduated from
college, found a good job, rented a cool apartment,
and bought her first new car! In six months she'll
be bored with the job, hate the cockroaches, and her
Hyundai will leak oil. But now everything is big and
new and wonderful. She feels that she's "on a roll."
If a man walks into her life, she'll think he's
another great part of her new life.
In contrast, a 34-year-old divorcée with two
children, a house she's lived in for six years, a
car she's driven for eight years, and a job she's
had for ten years will be harder to date. Dating
disrupts her routine. The annoyance of the
disruption overrules the possible enjoyment of a new
romance.
To meet new people, create a transition point in
your life.
Dancing for Dummies
I have a friend who's a professional dancer.
Women are in seventh heaven dancing with him. He
leads so well that women who've never waltzed,
hustled, or hip hopped are spinning around the dance
floor. This is stereotyped gender role attraction at
its best. He's in the driver's seat, she's in the
passenger seat, and the ride is fun.
But I can't stand dance lessons. Most of the time
I'm learning steps, i.e., dancing solo. When I dance
with a partner I have to concentrate on the steps,
not on connecting with my partner. If I connect with
my partner, I forget the steps. This annoys her.
Dance lessons make me look and feel stupid, and make
me disconnect from my partner.
Women, in general, are better dancers and learn
dances faster. Yet women expect men to lead them.
This makes no sense until you consider the Great
Male Hierarchy hardwired into our brains. Skilled
dancers, and the women they danced with, created
social dances. Social dances are intentionally
difficult, so that women can easily separate the
"alpha" males from the village idiots.
Men fantasize about winning the Superbowl,
playing against other men. Women fantasize about
winning dance competitions, led by a skilled,
handsome, and romantic man (e.g., Dirty Dancing).
Try dance lessons. If you easily learn the steps
and have fun, go for it. But if you're like me,
focus on connecting with your partner. Make eye
contact. Then mirror your partner's movements.
Mothers and infants do this. It's how toddlers play
peek-a-boo. It's hardwired into your brain.
Mirroring makes two people emotionally connect.
At first, give your partner room. Don't touch
her. As you intuitively connect, the two of you will
find moves that you enjoy. Dance closer, touch, and
lead. Now you're ready to ask a dance instructor to
teach you spins and swings. Over time, you'll become
a skilled dancer. But, unlike dance lessons, the
journey will bring you and your partner together.
Making a Date
Ask for a date directly. Don't ask vague or
indirect questions. Playing games invites the person
to lie or play games.
Don't accept a vague or indirect answer. E.g.,
you're looking forward to an event. You ask a person
out. The person says "maybe," meaning "no." You hear
"maybe," meaning yes. Two weeks later, you figure
out that "maybe" meant "no." But now it's too late
to ask anyone else out. If a person says "maybe," or
doesn't return your call or e-mail, assume that the
person means "no." Ask someone else out.
If the person says "no," thank him or her for the
clear answer.
- Telephone Numbers
- Ask for a telephone number or e-mail
address.
- A man should offer his card, but shouldn't
expect a woman to call. A man should never give
a work or voicemail number. This suggests that
he's married and trying to trick her.
- A woman concerned about her privacy or
safety should rent a voicemail box, or give out
her e-mail address.
- Business Cards
- A man's business card should communicate
status. He should ask his supervisor to give him
a more impressive job title. Or add a title
given by a professional association. Or hire a
graphic designer to create a beautiful card.
- A man should write his home telephone number
on his business card when giving it to a woman.
He should add his home address so she can drive
by and see what his house looks like.
- E-mail Addresses and Personal Websites
- Use an e-mail address that identifies your
gender and age, e.g., "Ernie1959." Build a
personal website with information about
yourself, your photo, etc. Put the URL in your
e-mail signature. Your e-mail recipients can
then read more about you.
- Excuses to Ask Personal Info
- Take advantage of excuses to ask people
about themselves. E.g., in a business class it's
appropriate to "network" with classmates: "And
where does your husband work? Oh, you're not
married?"
- How to Call
- If a woman gives a man her telephone number,
he should call her the next day.
- He shouldn't wait two days. If he hesitates,
she'll feel hurt and rejected.
- If you get her answering machine, read a
romantic poem (e.g., a Shakespeare sonnet).
Women love romantic poetry.
Dress for Sex
Men's Clothes
Dress to communicate your gender. Masculine
clothes have heavier fabrics. Colors are darker.
Masculine clothes emphasize broad shoulders (e.g.,
epaulets), flat stomach (e.g., men's shirts tuck
into their pants), slim waist and hips, and muscled
legs.
Boring, conservative clothes are masculine.
Creative, attention-grabbing clothes are feminine.
To attract women, wear normal clothes. Grey with a
designer label is good. Don't wear leather pants.
Women assume that men who dress creatively are gay
or mentally ill.
A beard hides your face. Religious patriarchs and
department store Santa Clauses are playing a role
and want you to see the mask, not the individual
behind the mask. In contrast, businessmen and
politicians don't wear beards because hiding their
faces makes them appear less trustworthy.
A full mustache communicates masculinity,
dominance, and power. Its popularity varies between
times and cultures-if you're not Hispanic, gay, or
living in the 1970s, consider shaving.
Women's Clothes
Women's clothes draw attention to their breasts,
waist, and hips. Depending on whether adolescence or
maturity is in fashion, women's clothes either
emphasize a flat stomach and thin legs, or make
strong, sweeping curves to suggest fertility.
Feminine clothes have lighter fabrics and brighter
colors.
Play peek-a-boo to get men's attention.
Intentionally tear your jeans or sweaters, show a
little cleavage, or wear a slit skirt. Sexy
materials-leather, latex, spandex-play peek-a-boo by
suggesting skin without showing skin.
Wear an accelerator and a brake. A pink t-shirt
displaying "Playmate of the Year" in glittering
letters is like a car with an accelerator but no
brake. Men won't hear "no." Instead, wear a
conservative skirt with sexy boots, or vice versa.
Women shouldn't wear "trend of the minute"
clothes. You'll impress the people who read women's
fashion magazines-other women. Instead, wear
"timeless" styles. Natural colors, patterns, and
fabrics are timeless. Things not found in nature
aren't.
The Best Pick-Up Line
The best conversation-starter is to interpret how
a woman's clothes express her personality. Read
The Language of Clothes, by Alison Lurie
(2000), to interpret the colors, patterns, and
styles of women's and men's clothes.
Then read Big Hair: A Journey into the
Transformation of Self, by Grant McCracken
(1996), to talk about her hairstyle. The chapter
about blondes is worth the price of the book.
Dream Houses, Dream
Relationships
Clothes are about flirting. Houses are about
relationships. When you imagine your dream home, you
also imagine your dream relationship. Creating your
dream home may lead to your dream relationship.
Conversely, living in a place that makes you unhappy
will prevent you from forming happy relationships.
The most common home problem is commitment to the
past, a.k.a. clutter. Clutter defines the old you.
Donate your ex-self to Goodwill. Create space in
your home for something new.
E.g., a woman's home was dominated by her
ex-husband's piano. She couldn't start
relationships. When she got rid of the piano she
immediately found a relationship. If you're a man,
communicate that you're relationship material:
- Display pictures of your family-especially
of you playing with your nieces and nephews.
- Green, healthy plants communicate that
you're capable of taking care of something.
- To make your living room communicate your
personality, start by getting rid of the
television. This will also give you time for a
new relationship-Americans average four hours of
television a day.
- A bed against a wall communicates that you
intend to stay single. Create walking space on
both sides of the bed.
- Women like clean bathrooms. Their sense of
smell is better than men's. If you're incapable
of keeping your house clean, just clean the
bathroom. John Gray's next book will be Mars and
Venus in the Bathroom.
- Pizza, chips, and beer communicate
"bachelor." Fresh fruits show that you buy
groceries more than once a month. Diet soft
drinks, exotic coffees and teas, and low-fat ice
cream show that you understand women.
In House as a Mirror of Self: Exploring the
Deeper Meaning of Home, by Clare Cooper Marcus
and James Yandell (1995), the chapter "Becoming
Partners: Power Struggles in Making a Home Together"
shows how homes cause or solve relationship
problems.